Shakespeare
- Thrust
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- The building behind the stage
- To symbolise aristocracy
- Larger props such as beds or canons, smaller props included weapons, potions etc
- The balcony, where things could be lowered from
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- Edward Alleyn (1566 - 1626)
Robert Armin (1568 - 1615)
Christopher Beeston
(1570 - 1638)
- three shillings for the boys who played girls, part players received one shilling, main players received two shillings a day.
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- To organise the play
- Heightened realism
- Very little time to rehearse, often given no time at all 'cue acting'.
- Approved or rejected Shakespeare's plays
- Sumptuary laws
- Purple
- Lower class men
- Breeches?
- Corset
- Gloves, Scarves, Masks
- Queen Elizabeth I
- Could not act, males used instead
- Protestant Christianity
- Changing form Catholic to Protestant
- Often stocked and whipped
- It was frowned upon before marriage
- Just outside the city of London
- Newington Butts Elizabethan Theatre,
Curtain Elizabethan Theatre,
Rose Elizabethan Theatre, Swan Elizabethan Theatre,
Fortune Elizabethan Theatre
- The Globe Theatre
- The Globe caught fire due to canon fire
- During daylight hours because there was no artificial lighting
- Stratford upon Avon, Warwickshire - Educated area
- Son of John Shakespeare and Mary Arden, Eldest surviving son of 8 siblings
- Married Anne Hathaway, had three children
- Grammar school
- To pursue his acting acting career
- Christopher Marlowe
- Lord Chamberlain's men, then The Kings Men
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